From the first winged-shaped structures to the current work, I have been exploring my interest in formal elements by transforming flat, two-dimensional surfaces into three-dimensional objects. I derive much of my inspiration from everyday objects such as mailboxes, aircraft structures, wings, propellers, heavy machinery and architectural works. These objects become conceptual elements, which I transform into drawings. Then, via different techniques of construction, I fabricate many objects of inner structures and outer coverings that create volumetric enclosures. In recent years, my interest in racecar fabrication and collecting vintage BMX bicycles from the 1970’s has led to subtle changes to my work’s structure and color. My work of drawings, prints and photographs comes from objects that inspire me and places that I have visited that make me think about time and space. Some of my newest print/painting work involves my interest in World War I and II military ship camouflage. The titles of my works are a result of my interest in the construction techniques of World War II aircraft and the battles fought in the South Pacific.
- On the Atoll (2024) Enamel paint, metal, nylon, Plexiglas, powder coat; 12” x 60” x 12”
- Ford Island (2024) Enamel paint, metal, nylon, Plexiglas, powder coat; 12” x 60” x 12”
- Pearl Harbor (2024) Enamel Paint, metal, nylon, Plexiglas, powder coat 12” x 60’ x 12”
- The High Tide (2024) Enamel paint, metal, nylon, Plexiglas, powder coat; 12” x 60” x 12”
Pin Points in the Pacific (2006) acrylic paint, graphite, MDF; 12” x 3” (29 pieces)
- Bound for the Beaches (2016) Acrylic paint, metal, Plexiglas, powder coat; 75” x 10 x10”
- Central Pacific Forces (2024) Enamel paint, metal, nylon, Plexiglas, powder coat; 72” x 20”x 16”
- Night Sortie (2012) Acrylic paint, metal, plastic, powder coat, wood; 36” x 10” x 20”
- Welcome to the Pacific (2012) Acrylic paint, metal, powder coat, wood; 24” x 12” x 16”
- Roosevelt’s Shangri-La (2024) Enamel paint, metal, nylon, Plexiglas, powder coat, 72”x32”x16”
- Currents and Winds (2002) Acrylic, canvas, wood, metal, powder coat; 57”x 30” x 20”
- Made in the Pacific (2011) Enamel paint, fiberglass, metal; 42” x 72” x 45”
- Running at Full Tilt (2012) Acrylic paint, fiberglass, metal, powder coat, wood; 36” x 24” x 20”
- At Mindanao (2016) Acrylic paint, metal powder coat; 22” x 12” x 12”
- Speed Flags in the Pacific (2009) metal powder coat, vinyl; 49” x 53” x 18”
- Dive on Target (2012) Metal, vinyl, wood, powder coat; 15” x 24” x 14”
- Pearl (2003) Enamel paint, Plexiglas, metal; 52” x 12” x 11”
- All Calm on the Sixth (2024) Enamel paint, metal, nylon, Plexiglas, powder coat, rubber

- Menodo (2021) Framed drawing; 12” x 15”
- Wake (2021) Framed print; 12” x 15”
- New Caledonia (2021) Framed print; 12” x 15”
- Palau (2021) Framed print; 12” x 15”
- Java (2022) Framed print; 12” x 15”
- New Guinea Force (2021) Framed print; 12” x 15”
- Marianas Island (2021) Framed Print; 12” x 15”
- Espirito Santo (2022) Framed print; 12” x 15”
- Port Norsby (2021) Framed drawing, 12” x 15”
- The Utah (2015) Acrylic paint, cardboard, metal, powder coat; 15” x 3” x 9”
- 7 a.m. (2014) Acrylic paint, cardboard, metal, powder coat; 12” x 4” x 6”
- Heavy Engagement (2014) Acrylic paint, cardboard, metal, powder coat; 12” x 4” x 6”
- Turning Point (2014) Acrylic paint, cardboard, metal, powder coat; 30” x 4” x 5”
- Code Talkers (2015) Acrylic paint, cardboard, metal, powder coat; 13” x 9” x 4”
- Promising Targets (2012) metal, powder coat, vinyl; 5” x 23” x 7”

- A Narrow Slip (1997) Ink on Velum; 16” x 20”
- Allied Advances (1997) Ink on Velum; 16” x 20”
- Rudder Shift (1997) Ink on Velum; 16” x 20”
- Dawn Pacific Southwest (2022) X-ray Drawing Charcoal and ink on paper; 19” x 15”
- Caroline Islands (2022) X-ray Drawing, Charcoal and ink on paper; 19” x 15”
- Dawn Southwest Pacific (2022) X-ray Drawing Charcoal and ink on paper; 19” x 15”
- Out of Raboul (2022) X-ray Drawing Charcoal and ink on paper; 19” x 15”
- Sorin Islands (2022) X-ray Drawing Charcoal and ink on paper; 19” x 15”
- A New Morning in the South Pacific (2022) X-ray Drawing Charcoal and ink on paper; 19” x 15”
- Arizona (BB-36) (2024) Digital print on Plexiglas; 24” x 30” x 1”
- Oklahoma (BB-37) (2024) Digital print on Plexiglas; 24” x 30” x 1”
- Tennessee (BB-43) (2024) Digital print on Plexiglas; 24” x 30” x 1”
- West Virginia (BB-48) (2024) Digital print on Plexiglas; 24” x 30” x 1”
- California (BB-44) (2024) Digital print on Plexiglas; 24” x 30” x 1”
Midway (2008) Acrylic Paint, metal, Plexiglas, powder coat 15” x 11” x 53”



















































